Relative to the pictorial present, this essay will elaborate the overall theme of artistic culture from a feminine perspective, clearly elaborating on core ideas normally used by artists. The abstract picture montage of the modern dress might be considered as a surrealistic depiction of the American lifestyle. The stylistic distortion of forms combines with the deliberate use of bold colours to capture the rhythm and movement of American popular culture (Barker & Galasinski 201). The dexterity of this art is illustrated in the ability of the single picture to resonate with the force of a range of ideologies that are anchored within the American lifestyle.
By examining this picture somewhat more closely, the viewer is able to find forces of feminism, materialism, secularism and consumerism as they combine and compete within the American cultural superstructure. According to such perspectives, there will be the establishment of various ways in which the specified work of art responds to the driving question recognizing a great piece of art (Barker & Galasinski 201).
Balance in this photo montage is created through the choice of colour and the angles of representation of the images (Chan & Mooney 206). The bold colours are toned down by an embodiment mixture of greyish white with spots of dark brown. The effect that this combination creates is one that offers the different dimensions of the American life. Through the choice of the abstract and surrealism, the photographer allows his imagination a freehand into exposing the weaknesses of some of the American values. In symbolic terms, this particular depiction might illustrate the photographer’s acknowledgement or support of the course of feminism as it expresses itself through the liberated American woman.
Designing techniques, literary devices, historical allusions, and biographical methods combine to give this artistic montage different forces that define the life of the accomplished women as represented in the west (Welch 208). The artistic picture employs significant sentimental techniques to stretch the facts from their actual dimension with the objective of developing the desired impression that would best illustrate the facts around the artistic genius. The message of the artistic picture is packaged within the element of the visual and sensory evocation. The creation of meaning is largely dependent on the type of devices used
The piece of art must be portrayed in a manner that strikes a delicate balance between fact and fiction. For instance, the artworks that are featured in the artistic picture were actually created by designers. The artistic picture features the graffiti art for which artists are famed (Chan & Mooney 206). The actual objective of portraying this aspect of life is to serve the objective of illustrating the enormous talent art of the acclaimed artist in realistic perspective. On the other hand, the social life of the artist is portrayed in fictitious dimensions.
The artistic illustrations of artistic representations are borrowed from the biographical details of some of the historical figures to allow a comprehension of the subliminal forces and influences that defined the artist’s personality (Barker & Galasinski 201). On this score, it might be argued that the artistic picture seeks to represent reality in terms of a combination of factors that shaped the life and tragedy of the young American females. Historical factors and allusions are used successfully to create a form of realism in such photo montages
The result of this combination is to excite the interest of the viewer so that the actual aesthetics of the artistic picture is appreciated. The challenge of this artistic picture lies in the fact that the painter seeks to bring out the complete life of a renowned female personality within a single portrait. The task of reliving past decades of artistic picture demands that only the significant areas are brought out lucidly without eliminating other non-core but relevant happenings in the life of the artist (Chan & Mooney 206). Towards this objective, the artistic picture director chose different media to present various aspects of artistic picture life. Important actions in artistic picture life are dramatized in the course of such drawings. Other happenings are only alluded to by use of appropriate artistic picture techniques. The choice of the means of presenting these aspects of reality is founded on the need to serve the different purposes of such drawings. The informative and entrainment needs of the audience are represented successfully through the interplay of fact and fiction (Barker & Galasinski 201).
The successful portrayal of the life and times of the young female is anchored on the skilful use of audio and visual devices of such photographs. Colour and sights are used skilfully to develop a continuum that unites the sequence of events. Light and colour are some of the artistic picture techniques that have been used to illustrate the salient features that marked the life of a celebrated artist. Light has been used in different parts of this artistic picture to create contrasts. The contrasts between situations have been achieved by way of juxtaposing various competing forces in the life of such photographs. During the grim moments of struggle, dark brown spots are used to portray the element of despair and anguish (Davis 1). Symbolically, the dark brown spots backgrounds represent the dark moments in the young artist’s life and stifling forces that threaten her progress and survival. This is particularly evident during the humble beginnings of the artist and the concluding episodes, which are a precursor to her looming demise.
Thus said, it would be appropriate to add that the success of such artistic picture is partly attributed to the management of mood by use of colour. On the other hand, the bright colorations at the foreground and background have the effect of building a positive aspect. Bright colours are used as symbols of hope and success in the promising career of the phenomenal artist. Colours are also used to mark movement and transition (Barker & Galasinski 201). Change of sceneries are illustrated and clarified through the creative use of colour. The artistic picture director switches the locations of the artistic picture quite often with the objective of portraying the different times and places that shaped the influences of the artistic icon.
High pitched colour and low tone colour are used to define tension and pace of action. These colours are also used to determine the changing course of action in the photograph. For instance slow and steady colour is used during the course of the interviews to enable the concentration of the listener on the fundamental facts surrounding the life of the artist. On the other hand staccato colour is used during moments of action and in the course of illustrating the fast-paced social life of an America woman (Davis 17). In the aggregate, it would seem that the artistic picture director used the device of colour successfully to portray the different forms of action that take place around the life of the artist. There is an obvious intention to conceal some of the unsettling aspects of reality regarding the life of women in the American culture.
Throughout the art, there is no vulgar display of the ostentatious and frivolous life of the young artist. Critics have observed that the evident effort of portraying an over-represented positive aspect of the artist’s life was meant to supply the artistic picture with an overall positive aura. In this sense this artistic picture reads like a celebration of the life of the young artist in the course of his epic struggle and phenomenal achievements at a young age. The imbalances between the positive and negative aspects of the young artist’s life are reinforced by the summarized form of events that are crammed within the limited space of time and space. Graphic illustrations of raw talent are used to give the artistic picture a form of emphasis that unites the different parts, scenes, and events of the artistic picture into a meaningful whole. Such illustrations are evident in the portrayal of America’s urban culture, which is assumed to have supplied the creative force in artistic picture life (Barker & Galasinski 201).
Narrations and alternative forms of illustrations are used to capture these negative aspects of her social life. Essentially, the artistic picture is anchored on the need to celebrate life in terms of a multiplicity of perspectives within a limited space of time. The representation of a summarized form of the young artist’s life is designed to unite the meaning between the seemingly discordant events. One of the strategies that aid the development of meaning is the appropriation of the information supplied to build fictional situations that mirror the facts (Davis 32).
Ultimately, it might be argued that the artistic picture director successfully uses various artistic picture techniques to serve the needs of accuracy and entertainment. There are no obvious elements of exaggeration like would occur in other artistic picture that is purely fictional, and whose chief end is entertainment. In this photo montage, the director manages to move back and forth into the life of the artist by representing facts through a multiplicity of perspectives (Barker & Galasinski 209). The means of presentation adopted by the director create a useful balance between the biographical details of artistic picture and the impacts of her art in current perspectives.
There is no significant degree of mismatch between the facts presented in the artistic picture and the actual life of such a picture. However, the filtering of the gruesome details such as drug abuse and death deny the artistic picture and important edge that would have allowed for a balance in the assessment of artistic picture life. Nevertheless, the devices used to represent the historical and artistic facts are largely efficient. Similarly, the aesthetic dimension is captured in proper balance.
The photographer explores how light effectively brings out the subject of a dark secret by manipulating the light effect of such a picture. The photographer acknowledges the fact that much of the success of the artistic picture is centred on the efficacy of lighting in bringing out the salient of horror and shock. The photographer projects her opinions on the element of light in bringing out the feelings, the fear, and the suspense that surrounds the horror and macabre images of a modern American female (Barker & Galasinski 207).
This source brings out the element of horror in the artistic picture by use of the light effect. The artist illustrates the manner in which the artistic picture portrays the effect of colour in a manner that sheds light on the aesthetic elements of such drawings. The article acknowledges the fact that the effect of the artistic picture lies in the efficacy of using the colour effect to highlight on the dominant features of such a drawing (Weatherall 204). The artist uses the examples of lighting in the hallways and other aspects of sceneries to present the effect of light in representing the actual reality of the horror.
This source highlights the visuals that are manipulated in the artistic picture (Weatherall 202). The artist highlights the point of how the nature of lighting and the portrayal of the visual effects combine to build the mood and tone of the picture. The light effects that are used in different situations are contrasted with others that portrays of different situations. The artist acknowledges the fact that the use of the different lighting styles has been done in a manner that allows for the portrayal of the differences that apply between situations.
The artistic picture element of the artistic picture has been manipulated to give the artistic picture the desired force of distaste. The article explores the manner in which darkness has been used throughout the artistic picture to highlight on the aesthetic elements of the drawing. Essentially, the artistic picture focuses on the manner in which the various aspects of light have been used to create the mood and tone of the pictorial (Weatherall 206).
The use of dark grey colours is meant to bring out the element of loss. The article acknowledges the fact that much of the meaning of the artistic picture has been portrayed within the dark light that dominates (Berghuis 206). The photographer makes the point that much of the horror that informs the artistic picture is entirely sources from the darkness in lighting which forms a significant part of the artistic picture
This essay acknowledges the fact that the artistic picture mirrors some of the basic elements of horror. Darkness and shadows are some of the elements of the artistic picture which seem to inform the essence of the photograph. The use of lighting in this particular context has been conducted in a manner that allows for better assessment of the different light effects. The artist appears to make the point that meaning lies in the artistic picture details of light that are used by the photographer.
Works Cited
Barker, Chrislen. & Galasinski, Demontre. Cultural studies and discourse analysis: a dialogue on language and identity. London: SAGE. 2001, Print.
Berghuis, Therick. Performance art in China. China: Timezone 8 Limited. 2006. Print.
Bowman, Robert. Rethinking What Motivates and Inspires Students, The Clearing House: A Journal of Educational Strategies, Issues and Ideas, 84. (6), 264-269. 2011. Print.
Davis, Tamra. (Dir). Jean-Michel Chinese paintings: The Radiant Child. Documentary. 2010 Print.
Weatherall, Artheste. Gender, language and discourse. London: Routledge.2002. Print.
Welch, Phery. Chinese art: a guide to motifs and visual imagery. China: Tuttle Publishing, 2008. Print.
